Spring poems: a. but. Fet "More May Night"

Athanasius Fet - More May Night: Read verse, text poem poem classic on rustic

Irina Zaritsky | 📄 Download PDF.

What night! Over all the burden! Thank you, my native impact edge! From the kingdom of ice, from the kingdom of blizzard and snow

How fresh and clean yours departs May!

What night! All stars to one warm and crotko look into the soul again, and in the air for the song of the nightingale

Alarm and love is dealt.

Birch waiting. Their sheet of translucent shy manitis and techite gaze. They are trembling. So the virgin newlywed

And pleasedly and alien herd.

No, never gentle and continules your face, about the night, I could not tomorrow! Again to you I am going with the unwitting song,

Unwashed - and the latter may be.

Analysis of the poem "More May Night" Feta

The poem "More May night" was written by Fetom almost immediately after marriage with M. Botkin (1857). At first glance, it describes the sensations of a person who has found happiness in family life. In reality, everything was much more complicated. Fet was insanely in love with M. Lazich, but could not marry her from material considerations.

Taking Botkin to his wife, who has a big inheritance, he secured his life, but destroyed the hope of happiness in love. The early tragic death of Lazich shook Feta and gave rise to a feeling of huge guilt in it.

The work "More May night" - an attempt of the poet to burn out the sad memories and pretend to be a happy young husband.

The author expresses his admiration for fresh May night. He emphasizes that such a feeling can be experienced only in the Russian "Kingdom of Ice, ... Blizzard and Snow." Motherland is very acutely felt celebration of spring over the harsh Russian winter. This transition symbolizes for feta possible happiness in family life (in reality, financial well-being).

Feta remains faithful to himself, having funful the beauty of the surrounding nature: "Stars ... Krotko look into the soul", in silence, the "Soloveina song", which, together with love, distributes the alarm.

In the third stanza, the poet introduces the traditional image of birch. Under the impression of a recent wedding, the poet compares a tree with "Virgin Newlywed".

Without experiencing a lot of belggment, he still treated her with great respect and recognized her unconditional right to family happiness.

Fet nevertheless hoped for the Russian saying "Corrects-Will Slightly". Botkin loved the poet truly and was ready to become the only true and caring wife for him. And financial independence allowed him to completely surrender to poetry and try to forget about the last not established love.

The final feet of feta breaks through. It becomes clear that the tender May night helps him cope with the loss of M. Lazich and briefly believe in happiness with the unloved wife. The "involuntary song" caused by the charm may well become the latter.

It is widely known that Fet until the end of the life bitterly regretted his fatal solution when choosing between love and money. Over the years in his poems, the desire for death has increasingly appeared.

The poet believed that in another world he will again meet with his beloved and will be able to atone for his guilt.

Popular themes of poems

To read the verse of the Poet of Athanasius Fet - another May night on the Rustic website: the best, beautiful poems of Russian and foreign poets of classics about love, nature, life, homeland for children and adults.

Analysis of the poem "More May Night" Feta

Irina Zaritsky | 📄 Download PDF.

A. Fet created saturated landscapes in which the native nature challenged. It seems that with nature, he shared his most intimate experiences. The poem, the analysis of which is presented in the article, is studied in grade 7. We offer to familiarize yourself with a brief analysis of the "More May night" according to plan.

Before reading this analysis, we recommend reading the poem more than May night.

History of creation "The poem was written in 1857. Shortly after marriage to Maria Botkin, in the same year it was published in the" Russian Bulletin ".

Subject poem - The beauty of spring nature, inspiring man.

Composition - In meaning, the work is divided into two parts: a holistic monologue of the lyrical hero, who with delight describes everything that she cares about the May night and the description of his experiences. The poem consists of four katrenoes, each of which is dedicated to a certain element of the landscape.

Genre - Elegy.

Poetic size - five-stranded yamm, rhymes Cross Avav.

Metaphor "From the kingdom of ice, from the kingdom of the blizzard and snow," the stars ... look at the soul again "," in the air ... anxiety and love "," Birch are waiting. "

Epitts - May "Svetz and Plee", "Songsian song", "Deva Newlywed", "Unwanted song".

The history of the work of the work is related to the personal life of the poet. His lines appeared on paper in 1857 after Fet married Maria Botkin.

It is known that in his youth, the poet was in love with Maria Lazich, but left her due to material difficulties. Soon after parting, a man learned that his beloved died due to a fire.

He could not accept a long time with a loss for a long time, but still decided to create a family.

Maria Botkin was a secured bride. The family of Feta was depleted, so the marriage was a chance for him to start a happy secure life. A man did not feel such strong love, as Lasich, but belonged to her sincere sympathy. Hope to the lucky future awakened in the poet inspiration. The first spring, spent with the young spouse, inspired to write a verse.

The memory of the deceased lover was buried deep in the heart of Feta. Notes were displayed in the last stanza.

In Russian literature, many poets developed spring topics in landscape lyrics. Feta is closely connected with love experiences. Moods captured in the images of his poems disclose readers to the soul of the poet.

The beauty of the May night, awakening the elevated feelings in the human heart - the topic of the analyzed work. The lyrical hero admires the dark time of the day and thanks his native land for such grace. He believes that freshness and purity of May are given by the Kingdom of Ice.

The night sky is cloudless, so the hero can enjoy the stars. Heavenly luminaries look in his soul and air filled with alarm and love. Mention of the poet and about the symbol of love - a nightingale song.

There is in the poem and the symbol of the Russian Earth - birch. About them the lyrical hero speaks with a special warmth. It does not depart from folk tradition, comparing birch with a young girl. Thus, the symbol gets in the analyzed text the value of indemnity, purity. Under the image "Virgin Newlyweds", it is likely to understand Maria Botkin.

In the last rows feels light sadness. Most likely, she is connected with Maria Lazich. Love for her does not leave the poet, so the lik of the present bride cannot "tomorrow" him. He calls his song "involuntary", hinting on the fact that he was not love for marriage, but the need.

The composition of the analyzed poem is simple. It is divided into two parts by meaning: spring landscape and description of the inner state of the lyrical hero. The first part is a bit more second, the transition between them smooth. Formally, the verse is divided into four katsins, which reveal different elements of the landscape.

Genre of Work - Elegy. The poet with delight describes nature, but in some rows reproducing the psychological state feels disappointment. The poetic size is a five-stranded yamb. Rhymes in the text Cross Avav, there are male and female rhymes.

Spring landscape is created using artistic agents. They are also a tool for transmitting the experiences of the lyrical hero.

Key role is played Metaphor : "From the kingdom of ice, from the kingdom of the blizzard and snow as fresh and purely, May", "Stars ... in the soul look again", "In the air ... alarm and love", "Birch are waiting". In the metaphor set there are and personification.

Expressive landscape and psychological sketches give Epitts : May "Svetz and Plee", "Soloven Song", "Deva Newlywed", "Unwanted song". The poet does not use the poet.

In order to convey its admiration A. Fet uses rhetorical exclamations, for example, the first stanza consists entirely of exclamation proposals.

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"More May night ..." A. Fet

Irina Zaritsky | 📄 Download PDF.

It is no secret that the thin and deep lig of Athanasius Fet all his works wrote what is called, from nature. His poems are transformed feelings and images that he missed through his own soul.

Therefore, it is not surprising that, at the base of almost every poem of the author, there are real events that the poet displays with the grace peculiar to it, leaving "behind the scenes" that, according to the poet, at the moment does not have much importance for him.

The poem "Maja Night" also has its own prehistory. It was written in 1857 almost immediately after Athanasius Fet married Maria Botkin.

To his young spouse, the poet experienced sympathy and deep attachment, although it was aware that these feelings could be called with love only with a very large stretch. The poet's marriage was concluded for the calculation due to the desire to secure a decent life to which he was accustomed to from childhood.

The thing is that Fet was adopted by a rather wealthy landowner Afanasy Sheenshin, but after his death was deprived of inheritance due to incorrectly decorated papers and forced to leave the generic estate to independently earn their lives.

It was then that the poet was forced and change the last name - henceforth, he became Afanasius Fetom. Thus, having achieved Mary Botkin's hands, the poet, though he did not return the noble title, but could count on a completely comfortable existence due to an impressive dowry.

The May night, which in his poem is so admired by the author, apparently, is the first in its by no means a happy family life. However, the poet Polon determined to forget his beloved Maria Lazich, from marriage to which he refused precisely because of financial considerations.

Now, having gained an impressive fortune, Fet is counting on a serene and complete wealth of life, so everything is touched by everything - and the May night, and the rustle of young birch leaves outside the window, and the ceiling nightingale trills.

The author, as if waking up from a long hibernation, begins to notice the beauty of the surrounding world, emphasizing that "all the stars to one warm and krotko look at the soul again" . The poet compares his young spouse with a slender birch, which "shyly manitis and techite gaze."

Conducting a similar parallel, the author notes that "so the Virgin newlywed and joyful, and alien to herd."

Personal feelings and experiences at this night Athanasius Fet tries to hide carefully, believing that not love, and financial well-being is the key to a safe family life. Subsequently, the poet is aware of his mistake and will be cruel to pay for her until the end of his days, living with a woman who does not love.

However, on the wedding day, the author is full of most rainbow hopes, although the first doubts are already told in his soul. He is much nice and more pleasant to admire the night sky and admire him with beauty than spending time with a young wife. Therefore, the poet notes that "Your face, about the night, could not tomorrow!" .

About how Fet actually belongs to his marriage, the last lines of the poem "still May night ...", in which the author is recognized: "Again, I am going with the involuntary song, involuntary - and the latter, maybe."

The poet secretly regrets that he voluntarily deprived himself of freedom for the sake of financial well-being, the presentation that such a union would very soon become for him a burden.

It does not mention about his first and only beloved Fet, but there can be a completely different woman between the lines of this romantic poem, it is a completely different woman that his chosen. And with this fact, as it turned out later, the poet could not come torture until his death.

Analysis of Feta Poems More May Night 6th Class

Irina Zaritsky | 📄 Download PDF.

The poem A. Feta "More May night" is a admissance by the usual day of day - at night. However, the author so sincerely transfers his admiration and expresses a mental lift associated with what he saw that every night image makes the reader solve the riddles of natural phenomena, causing lunizing and storm of emotions.

The realistic image helps to feel the experience of the lyrical hero, the thrill of his soul. The author does not hide how long the long-awaited this May night was.

Native expanses hospitably reveal the arms of the spring months, which seemed to have escaped from the shackles of winter ("from the kingdom of blizzard"). Cold and anxiety for the hero remain behind. In the poem feel peace and complete peace.

The author with delight responds about this condition: "What a Nega!". Communication with the starry sky speaks of joyful changes in the life of the poet: "All stars in the soul look again."

Special place A. Fet pays love. This feeling applies everywhere, although sometimes an alarming note does not leave it. Man and nature in any manifestation for the author are one: the feelings are spread "for the Songsian song".

The image of Russian birch is beautiful, he pushes a writer to the thought of love relationships. The mention of Birch is associated with the event that happened shortly before the writing of the poem. Wedding A. Feta took place not by love, but by calculation. The author compares a tree with a bride, which is now "Teschit's eyes".

Trying to get rid of the situation in which he found himself, the poet is experiencing sadness, regretful of his beloved woman remaining in the past. In the last stubborn, repentance is the motive. But the optimism of the poet takes the top, the night inspires it on frank confessions through the image of nature. She seemed to support the poet in a difficult moment. He gratefully chants the night time, her magic phenomena.

The author feels the interlocutor of the surrounding items thanks to the personification: "Stars are watching", "leaf manit", the epithets that emphasize his sympathy for the landscape: "Sheet of translucent", "May fresh and clean".

The distinguishing emotional pattern in the work, which is the fluctuations in moods, looks close to some syntactic designs - exclamation proposals alternating with narratives. With the arrival of the last spring month, when the foliage is green, the Tel Solovna sounds louder, the soul of the poet youth. Each detail described by him comes to life, thanks to the word of the Great Poet.

Analysis of the poem still May night Feta

Everyone knows that all poems Athanasius Feta were written with early experienced feelings. The situation of each work by the author himself survived to one degree or another.

In the poem "More May Night ...", there is also a special story. It was published in 1857, immediately when the poet played a wedding with Maria Botkin.

To young wife, Athanasius Fet experienced the most tender feelings and impossible attachment, he could not imagine a minute of his life without it. He also understood that the feelings he had experienced to her could not be called real love.

This marriage took place for the reason for his desire to be a happy man. The fact is that Athanasius Afanasyevich was adopted by a rich nobleman, but after his death, because of the wrong completed documents, the inheritance lost and was forced to leave the estate.

At that time, he had to change his surname. After a while, marrying Mary, he found the meaning in his life, because now he became a wealthy young man, at the expense of his wife's own spouse.

May night - night that brought the poet admiration, it was the first night with Maria Botkin. He understood that he would not be happy with her, but it was a way to get rid of thoughts about his former beloved Mary Lazich.

The feelings that are currently experiencing fashion poet to Mary are explained by the fact that it is at that moment he becomes a prosperous and wealthy person. Then, to realizing his mistake, the poet will pay throughout his life, living with an unloved woman.

In this work, Fets regrets that he deprived himself male happiness by choosing welfare. Athanasius Afanasyevich will never be able to forget his love - Maria Lazich. Through the lines of the poem, slipping regretfully lost happiness.

He understands that she was forever lost her and now his chosen was another woman.

Option number 3.

Almost all the poems of Afanasia Feta were created on the basis of nature images, as the poet saw her in his own way, and with her I was squeeze all his most intimate feelings. Almost all of his thoughts and ideas that he wanted to transfer to readers, are redeemed by the paintings of nature, and it is behind them that the most basic thing lies.

And one of these works belongs to verse called "More May night" dated in 1857. In this subtle lyrical poem, the lyrical hero, beauty and serenity of the May night occurs.

It should be noted that all this is hidden, experiences and real events from the life of the poet itself.

Definitely, all the works described by the events lies its significance, the night nature soothes and admires the lyrical hero. But on the background of all serenity, the shadow of doubt lies and regret.

This is noticeable in the last lines "and in the air for the songs of the nightingale, alarm and love is dealt with," which significantly blows cool and shadow not good premonition.

In the future, the quatrains compare the image of birch, which stand still, as if something is waiting for and sit down to themselves the gaze of the lyrical hero. This picture resembles the author, the appearance of the bride, which also stands timidly and is still waiting.

Behind this composition, it may be lifting a real case from the life of the poet, behind a slim birchness implies a memory of some kind of woman that left a trace in the soul of the poet. For the author, it looks like a bride in his joyful and at the same time sad outfit.

Further by poem, our hero is back to nightlife. And this confirms the poet himself, telling us about the face and disembodied tenderness donated to him at night. All this can only hint at one, the soul and consciousness of the poet than they are burdened, most likely, the fact that it is impossible to fix it and only in the tranquility of the night he finds peace.

Summing up our analysis, it is worth noting that this creation is Afanasia Feta, this is a living case, perhaps not happy love that aghesives the soul of the poet. But only one can, calm the inflamed feelings, is the identical beauty of nature. From which our author is unable to tear his eyes.

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Poem A. Feta "More May Night" (perception, interpretation, evaluation)

Irina Zaritsky | 📄 Download PDF.

A. A. Fet is one of the brightest lyrics of landscape players in the Russian literature of the 19th century. Nature in feta personifies and exists in harmony with the human soul, it is inseparable from emotions. Poetry A. Feta is a treasury of feelings, it is characteristic of it is not a realistic perception of reality, but a flight inspiration, instinctivity.

Feta love to nature, knowledge of it and concretization, subtle observations for it fully manifest themselves in his verses in the 50s.

The poem "More May night" dates back to 1857. At that time, A. Feta verses were constantly published in the contemporary magazine. This work caused the enthusiastic review of L. Tolstoy, who was an active employee of the magazine.

The assessment of the great Russian writer was truly the crown of Feta Glory: "And where does this good-natured fat officer come from such an incomprehensible lyrical audacity, the property of great poets?".

This brief review was undoubtedly influenced by the rise of the poet's poetic reputation.

The poem "More May night" begins with an exclamation of a call offer: "What a night!". The first line is ends with a lot. Then two enthusiastic exclamations are followed. Such a syntactic pattern gives the feeling of emotional tension, excitement. The "native midfield" is perceived by the lyrical hero as a living organism, close and native. Hence the exclamation "Thank you ..", the pronoun is "yours." In this stubborn, the unity of two contradictors began: winters and spring: "From the kingdom of ice, from the kingdom of blizzard and snow // How fresh and clean yours will fly out. Cold winter gives rise to warm spring. The nature of the Central Russian strip gives the opportunity to observe the rapid change of the time of the year, the transformation of the native edge causes the reader a feeling of admiration.

The first stanza of the work leaves a sense of completeness, seems to be a separate lyrical miniature. Apparently, therefore, in the second stanza, the poem seemingly begins again. The same exclamation occurs: "What a night!".

This earthly night, permeated by spring love, it is a bit of global harmonic whole, "all stars to one" is a symbol of cosmic infinity. The stars "see the soul again", the soul of a particular person is an integral part of a huge universe, and the stars themselves are endowed with human properties.

Two polar feelings are intertwined: the stars give warm and meekness, at the same time in the air "disturbed alarm and love." Initially, it seems that "anxiety and love" is antithesis, however, after reading the poem, you understand that these feelings are indivisible.

The image of the nightingale - the winged messenger of spring, the owner of the spring night - confirms the emergence of the feeling, it is "for the song of the nightingale" love is dealt.

The third storm is filled with personification. Birchs are endowed with feelings and experiences, consonant spiritual gusts of man.

"Birchs are waiting for" - anxiety, extended in the air, makes it stop in waiting ... No wonder the poet separated the two unpropered proposals "Birch waiting" and "they tremble". Syntax completion causes the highest degree.

Only in the following suggestions, it falls: the epithet "translucent", the verbs of "Manit and Techite" helps to reduce the heat of feelings. The resulting image of the "Newlywed Virgin" was consonant with a truly popular perception of birch.

At the same time, this metaphor reflects the purity and impossibility of the first May days, nature admires its updated outfit, and inversion create some mystery and singer. The sense of spring revival inspires and gives a feeling of magic.

In the fourth stubborn, appeal again. Spring night is the main acting person of the poem. The exclamation of "ON THE NIGHT", typical of high styles, causes an enthusiasm at the reader, and even awe, the word "Lik" contributes to this.

The night is deified with Fetom! Exclamation "No!", Separated from the sentence, again increases the tone in the development of experience. This is complemented by the negative adverb "Never", "not" particle.

Very contradictory combination of words "gentle" and "Tomit": "Tomit" means torture, extinguish.

The spring night is so beautiful that the human heart does not withstand painfully sweet to do, happiness, from which you want to cry. She inspires on creativity, "involuntary" songs.

Furious feelings are so strong that they are close to a sharp feeling of death - death from happiness: "The latter may be." This indefinite hint leaves a feeling of confusion, but at the same time, sweet longing and some bright premonition.

The introductory design "Maybe", which ends the poem, makes sense of sense.

The poem is written by a five-colored yamb - a very musical size, it is not for nothing that he is to the romance genre. Composer A.S. Arensky put these rows of Feta to music by creating a magnificent musical work.

Music is enclosed in the entire structure of the poem. His sound organization contributes to the observance: the Assonance of the first lines on "A" and "O", the alliteration of the last stanza on "l".

The abundance of brief adjectives "fresh", "clean", "Radoshen", "New" attaches ease, singered, smoothness and, at the same time, solemnity.

For feta nature - an object of art admiration, aesthetic bliss. She is the best mentor and wise adviser to man. It is the nature that helps to solve riddles, the secrets of human being. Feta called the "man with a sigh", that is, the need for something with something higher, careless. All his poetry is the desire to ideal. The poem "More May Night" is a bright example.

Poem A. A. Feta "More May Night ..."

Irina Zaritsky | 📄 Download PDF.

Works in literature: poem A. A. Feta "More May night ..." Athanasius Afanasyevich Fet owned a special sense of nature. He admired the beauty of the world valuably, directly, like a naive child, like a young man in love.

The poet created not ordinary landscape sketches, but sought to tell about his impressions inspired by nature. Any thought of Feta was born with emotion. In each work, he expresses a whole range of variable feelings, experiences, sentiments caused by various phenomena of nature, which the poet is always beautiful.

In 1857, Fet wrote a poem "More May Night ..." I love very much. The name here speaks for itself.

The lyrical hero is enthusiastic wonderful May night, so in the whole text many exclaints: what night! On all some kind of nonsense! Thank you, my native impact edge! From the kingdom of ice, from the kingdom of blizzard and snow as fresh and clean, Mai flies out of yours! The lyrical hero begins his monologue with the show of the general picture of this wonderful night.

What is it so good? "Nega" is its main characteristic. Night is tender. Its warm, pleasant air breathes with flavors of flowers and herbs, the breeze gently refreshes. For this, the hero is grateful to the native edge, to which the roasting turns.

Why does a character remember the winter "kingdom" (metaphor) in May night? Maybe because white petals of blooming apple trees and cherries so look like snow? And May "Fresh and clean" (epithets) with its young greens, abundance of light and ease, the transparency of the air, which is still not knowing what the exhaust heat.

It is this month that spring appears in front of us in all its glory: what night!

All stars up to a single warmth and krotko in the soul look again, and in the air for the song of the nightingale, alarm and love are dealt. In the second stanza, the poetic space is slightly narrowed.

We see more specific images. But the interpretation of them is still very emotional, she conveys, I think, thrill, excitement of the hero, his mild of May night.

It is felt that a person lacks words to express the soul.

His phrases are contradictory, from them the mystery, which can only solve the one who survived something similar.

The hero of the feta lyrics is always dissolved in nature, it is an integral part, therefore it is able to perceive and evaluate many advantages of this world, inaccessible to ordinary people. Stressful, gambling, passionately comprehends the character of the wonders of the May night: Birchs are waiting.

Their sheet of translucent shy manitis and techite gaze. They are trembling. So the Virgin newlywed and joy and alien to herd. How delicately notice every detail! Nothing escaped from the attentive view of the author.

With the help of sensual impersonation ("Stars are watching", "Birchs are waiting, trembling", "List shyly manit").

Fet transfers the life of nature, which is always next to the person, sympathizes him, responds to his condition. It is not by chance that the "experience" of trees is compared with the mood of the newlywed-old Virgin.

This comparison is still in oral folk art. Predated in Russia compared the birch and the girl.

However, Fet finds a new one in this tradition. He compares the happy thrill of birch, which "crowds" fresh foliage, and the bride in the wedding dress. Very accurate, elegant, interesting comparison! This trend in this poem is noticeable. . Why?

But after all, the night, and spring of the same kind! Apparently, Fet deliberately or intuitively indicates that the nature of feminine, hence her beauty and harmony, which will always chase the poet: No, never gentle and disembodied your face, about the night, I could not tomorrow! Again, I am going with the involuntary song, involuntary - and the latter, maybe. Here is the culmination and idea of ​​poem. Denegiation in the last stanza, as well as the epithets of "involuntary", the "latter" indicate that the lyrical hero is filled with feelings. His great happiness borders with deep despair, as it is afraid of losing the wonderful moments of the May night. They are irretrievable, because unique, but not only in this source sorrow the hero. I think the Creator in the poem Feta is experiencing about its future possible insolvency.

After all, Muza is cowar. Who knows if she will visit the poet next time? Will she be able to "express in sound" again all the charm of such nights? Each of us sometimes wants to stop the time, but it is inexorable moving forward. That is why everything must be done as the last time, giving out entirely, and, of course, rejoice at what has already been created.

Analysis of Feta Poems More May Night 6th Class

Irina Zaritsky | 📄 Download PDF.

This poem Athanasius Feta was written in a thousand eight hundred fifty-seventh year.

In his poem, he showed his position and attitude to art - the main function of art to show true values, completely forget about the current events, write only about beauty that seeks to perfection. Fet believed that it would help to reach a new level - everyday life will be defeated.

In the poem, a special meaning is laid - many times a person can read or re-read the work, and every time it will cause new feelings and emotions. This is based on the fact that a feeling is presented in the poem, it is also shown by expressive means used by the author.

In order to correctly understand the content of the poem "More May night", the reader needs to re-read it several times, only after it becomes clear that the lyrical hero comes to admiration from the night in May and listening to sounds with pleasure, breathes fresh air.

Subsequent readings will fully pass the author's mood - it fills the alarm, a little joy, excitement. There are very mixed feelings, for example, the understanding that the May night brings delight and at the same time - the thoughts that everything will come soon.

The poem consists of four quarters. The first quatrains ends and begins with exclamations - here the reader for the first time can understand what spring the author sees.

The second one betrays the view of the environment, its sounds, and in the third it is a birch image. The fourth quatrain is the end of the poem, in which the lyrical hero "says" with the May night, here the night is compared with the beloved.

And the last line shows that bliss at the end becomes confusion.

Analysis of the poem More May night feta for grade 6

Athanasius Afanasievich Fet - sings, which describes all possible beauty of nature. It sings, which to strive to open all people to all people - the wonders of nature, its beauty at all times of the year, and. Even in the rain, even in slush or heat, there are its charms, from which it is impossible to refuse. His poems are simple, but feelings in them are very unusual.

Athanasius Fet wrote the work "More May night ..." in 1857. Literary critics include this work to a large cycle of lyrical landscapes. The work wears the name of the beautiful and reader in anticipation can look further on the initial lines of the poem to feel all the beauty and tenderness of spring, especially in the month of May.

The name seems to predetermine the name of the poem, since throughout the whole work, the main character whose name is not called even at the end of the work. The character admires on behalf of the author of the beauty of nature in the spring.

The main hero of the poem is enthusiastic, to be more accurate, at night. It's time - which pulls on thinking about the life and beauty of nature, especially in the spring. Spring is a year, which awakens everyone to life, no matter what. In the spring you want to live, rejoice and love.

She awakens in the NA strength - the forces to the life and love of each other.

In the work there is a proposal at the very beginning of the story about the Nehla of Nature, which makes the night of the beautiful - "What Night" on everything anyone! .. "This very proposal will move the accurate delight, which is expressed in relation to nature. Nega is an extraordinary condition in nature, which can be characterized by tenderness, light breeze, beautiful tomotility and moisture in the air at night.

It is the word "Nega" gives accurate characterization of that night, about which it is written in the poem "More May night ...". The main character is truly an enthusiastic person, a romantic, whom it is necessary to find.

Although the mood and weather in the work is such that any short-term realist will become immediately a romantic figure on the lap of nature.

He rejoices that he lives in this edge, he is grateful for all these wonderful emotions and feelings that he appears when he breathes a clean cool air of May night, when there is silence, and calm.

The composition of the work is very well cooled. The poem consists of four stanz. Stanza is four sentences that are together forming a storm, or a verse. Each offer ends with a suitable rhyme word.

That is why the poem leaves the rhymed and folding, and therefore it is easy and pleasant to read. The product genre itself is defined as a lyrical landscape. In addition, they consider critics that the production genre was created by the poet with elements of romance, which makes this verse - lyrical.

Athanasius Afanasievich Fet throughout the work skillfully used the techniques of colorful words and comparisons.

Epitts are the mainesty of the work of the work, which constitute the entire poetic text. Epitts that are very bright, often used in rhymes and suggestions. For example, one of such beautiful epithets - May Fresh and clean; Also, the sheet is translucent and many others.

In addition, in the work of feta there are also comparisons that can be considered more than simply successfully selected. In addition, many, and even exclamations, which plead to the whole work, are also present. All these beautiful words are epithets, personification and comparisons, as it were, create a mood of the poem Athanasia feta.

This skillful and see Romantic, the poet, became famous thanks to his beauty of the word.

6th grade

Analysis of the poem More May night by plan

An essay of "poem A. A. Feta" More May night ... "and" Spring rain "(perception, interpretation, evaluation)"

Irina Zaritsky | 📄 Download PDF.

Feta poetry is deservedly considered one of the vertices of Russian lyrics. Its poems are filled with surprisingly thin images, and despite the fact that the topics of Feta lyrics are reduced to two: a description of the beauty of nature and love lyrics, his poems are imbued with a deep psychologism.

And the interpenetration of these two topics creates amazing, thin and beautiful poems. The world of creativity Feta is very narrow, dirt and evil of life were not allowed. Feta poems are easy and elegant.

They are approved by the main idea of ​​the entire creativity of the poet: the life of nature and the human soul is the inseparable unity, one cannot exist without another. Feta poetry is amazing musical, many of his poems are laid on music. Fet challenges love and beauty in every poem.

The description of nature in his verses is surprisingly subtly, Feta poetry transmits elusive changes in nature, and in his verses, everything alive reflects in motion. In 1857, Fet wrote a poem "More May night ...", which can fully be considered one of the tops of his lyrics. The name of the poem reveals its content.

The lyrical hero is enthusiastic of the wonderful May night, it is for this reason in the whole text of the work many exclaints: what night! On all some kind of nonsense! Thank you, my native impact edge! From the kingdom of ice, from the kingdom of blizzard and snow as fresh and clean, Mai flies out of yours! The poem begins demonstrating the common picture of this wonderful night. The main characteristic of the beautiful May night is "Nega". Night is gentle, calm. Its warm air breathes flavors of flowers and herbs, the breeze is affirming. For this hero I am grateful to the native edge. In the May night, the hero Feta recalls the winter "kingdom". Why is this happening? Maybe because white petals of blooming apple trees and cherries so look like snow? And also May "Fresh and Plee" with his young, barely blossomed greens, upholstery of light and ease, air transparency that has not yet learned what exhausting heat. This month, Spring appears in front of us in all its glory:

What night! All stars up to a single warmth and krotko in the soul look again, and in the air for the song of the nightingale, alarm and love are dealt.

In the second stanza poem, the poetic space narrows a little. The author already draws more specific images: stars, nightingale song. The words of the poet are controversial, it fits the mystery, which only one who survived something like that can solve it.

The feta landscape lyrics are always dissolved in nature, it is an integral part, which is why the poems of Feta enter into themselves such accuracy and at the same time the elusiveness of the images, amazing lyricity and beauty in the description of nature.

Fet and his lyrical hero seek to comprehend the beauty and mystery of this wonderful night, and the poem acquires an increasing accuracy, approaching the landscape sketch: Birchs are waiting. Their sheet of translucent shy manitis and techite gaze. They are trembling. So the Virgin newlywed and joy and alien to herd.

How delicately notice every detail! Nothing escaped from the attentive view of the author. With the help of accurate and surprisingly bright response ("Stars are watching", "Birchs are waiting, trembling", "List shyly manit") Fet transfers the life of nature, which is close to a thinly sensing person, meets his mental state.

In these rows, Fet emphasizes the femininity of nature, chasing it harmony and beauty: no, never gentle and continued your face, about the night, I could not tomorrow! Again, I am going with the involuntary song, involuntary - and the latter, maybe.

In these lines, the basic idea of ​​the poem, the images defined by a subtle hint ("anxiety and love" are revealed, "joyful and alien to her"). The lyrical hero is happiness, admiration - but at the same time alarm, and despair. And this anxiety, so incomprehensible to the wonderful and quiet May night, is racing in the last lines.

The lyric hero Feta is afraid of losing the wonderful moments of the May night. They are irretrievable, because unique, but not only in this source sorrow the hero. It seems to me that Fet is afraid of the fact that his muse, his ability to feel nature, can leave him, disappear, dissolve in this May night. Poem A. A. Feta "Spring Rain" dates back to 1857. This STI-HOTVENNE is a masterpiece of a mature mast of landscape lyrics, who managed to grab and brightly capture one elusive moment of life. The poet draws a picture of the spring rain, warm and festive. The rain begins to be sophisticated, imperceptibly:

It is also light in front of the window, in the rupture clouds the sun shines, and the sparrow with its wing ,. Swimming in the sand, trembles.

In these stitches, the usual picture of a sunny spring day appears in front of the reader, deliberately peaceful and household.

The onset of rain is opposed to this peace, but the picture does not create the impressions of something gloomy and gloomy, on the contrary, it is penetrated by warmth, the sun, the feeling of joy: and from the sky to the ground, swinging, the curtain moves, and as if in golden dust it stands behind it the woods.

Comparison and epithet ("as if in gold dust") performs the impression of transparency and heat, and the further picture creates a feeling of purity and freshness: two drops splashed into the glass, pulling out with fragrant honey, and something to the garden came up, along the fresh leaves of the drum. This poem is striking with its simplicity and imagery.

Paints, sounds, smells - all this fills a small poem, consisting of just three stanza, brightness and novelty emotional perception of the world. Fet managed in three stanches not only figuratively and view the picture of the spring rain, but also to create a unique emotional mood of heat, spring freshness, joy of lyrical globility.

Feta Lyrics is a mystery. An amazing combination of simplicity and imagery strikes readers to this day. Thanks to his poems, we are thinner perceive the smallest changes in nature. And the poems discussed above is only another proof of surprisingly subtle skill of the poet.

Analysis of the poem A.Feta "More May Night"

Irina Zaritsky | 📄 Download PDF.

What night! On all some kind of nonsense!

Thank you, my native impact edge!

From the kingdom of ice, from the kingdom of blizzard and snow

How fresh and clean yours departs May!

What night! All stars to one

Heat and krotko in the soul look again,

And in the air for the song of the nightingale

Alarm and love is dealt.

Birchs are waiting. Their sheet is translucent

Shyly manitis and techite gaze.

They are trembling. So the virgin newlywed

And pleased with her joy.

No, never gentle and disembodied

Your face, about the night, could not tomorrow!

Again to you I am going with the unwitting song,

Unwashed - and the latter may be.

When publishing in the collection of 1863, the poem was interfered with the Spring Cycle, consisting of eleven poems. "More May night" - the ninth text in the cycle. Composition of the cycle: I. "I'll be all fluffy willow ..."; II.

"More spring - as if unearthly ..."; III. "At the dawn, you are not boudy ..."; IV. "More spring fragrant nonsense"; V. Bee; Vi. Spring thoughts; VII. Spring on the yard; VIII. The first valley; IX. Still May night; X. "Again the invisible effort ..."; Xi.

Spring rain.

As part of the cycle, the poem "More May night" stands out with philosophy (other works relate to landscape and / or love lyrics) and dramatic (and potentially tragic) sense of the ending: a lyrical "I" feels not only condescension, but also a breakdown with ever-updating Nature, prefers the probable intimacy of death. The antithesis of eternal nature and mortal "I" is also found in another poem of the cycle, "more spring, as if unearthly ..." (1847): "It's time - and soon, maybe - / Again the Earth is discarded, / but it The heart will stop fighting / and nothing will love. "

In terms of an unfulfilled new edition, compiled by Fetom in 1892, it is also included in the Spring section containing twenty-three poems.

The poem, like most of the stubbic lyrical pieces of feta, consists of three stanza, each of which is combined with a cross-rhyme: abab. The first stanza, which opens the exclamation "What Night!", Contains the appeal - thanks to the spring night (the first two lines) and a generalized picture of the reviving spring nature.

The beginning of the second stanza is to repeat the same exclamation, which opened the first, but the meaning of the second quatrain is different. Specific features of the landscape appear, although fed in the metaphorical key (stars), and the spring sounds are "Soloven Song".

Spring appears first in visual perception, while the look of the imaginary contemplator is directed upwards, to the starry sky (the first two lines of the second quatrain). In the third line of the stanza, the visual perception is replaced by an auditory, acoustic: heard "Soloveina's song".

The fourth verse is a kind of interim total in the text of the poem: Spring - the time of anxiety and love.

Meaning of the Word anxiety So far, it is not quite clear, but it is obvious that, first of all, this is alarming, a love feeling; Not accidentally lexemes Anxiety and love Posted in one row, combined by the connecting union and.

But this poem does not end. In the third stubborn, acoustic perception is replaced by visual: the description of the spring birches is given.

However, this description begins with the metaphor "Birchs are waiting", and as it were, the resulting, "unneveloped" (there is no addition - waiting for what? Who?).

Thanks to this, the statement acquires a multi-valued meaning (Spring, updates, love, which reigns in the world of nature).

The second half of the line, which opens third quarters, contains object details related to birch ("Sheet translucent"); The visual image is present in the third line: "They are trembling."

This is not only an animation metaphor, but also the image of a light tremble leaves in the wind.

The ending stanza is a comparison of trees with the "Virgin Newlywed" - translates the picture of the spring nature again to the metaphorical plan.

The fourth stanza is a kind of "echo" first. It also opens with an exclamation of an exclamation and appeal to the spring night.

The second proposal occupying the last two lines of the work is also an appeal to the night, although not decorated as an exclamation. But now the look of the lyrical "I" is directed not to the world outside, but inside my soul.

The penultimate line contains a word Song / song However, this is no longer a spring "nightingale song", but a "song" lyrical "I", music of the soul, poems.

"Song" of the lyrical "I" "involuntary", for it, like the "Solesian Song", is uncontrollably spontaneous.

The ending abruptly breaks the emotional tone of the text: the spring renewal contrasts with the state of the contemplator waiting for a possible death soon. Before the world "I" and the world of spring nights were in a happy harmony, now she is broken. And "Tomorrow" "I" can be understood as a non-executed desire for dissolution in the world of nature.

The "Anxiety" mentioned at the end can now be read not only as happy (Tomorrow of Love, Sweet Tomorrow, caused by the update of nature), but also as anxiety, anxiety in anticipation of the possible death "I". And this anxiety contrasts with joyful "shudder" of spring birches.

Nature, beauty and love make up for the author a poem inseparable unity. (An indicative of the comparison of Bereza with the "Virgin Newlywed".

) Night Spring Nature is not only a visible world, in the spring night, it is obvious, the essence of being: it's not by chance that the lyrical "I" "Tomit" night in her "disembodiedness", and in order to convey this desire, Fet resorts to occasional ( not existing in the language) grammatically improper form Besteliest (comparative degree is formed contrary to the rules not from the qualitative adjective, but from the relative incorporeal not having degrees of comparison).

From the babysitting of nature and the babysitting "I" to the establishment of a close destruction of its beauty contemplating its beauty is such a motion "drawing" of the poem.

The poem is built on a controversial combination of conditional, metaphorical images ("The Kingdom of Ice", "The Kingdom of Bind and Snow"), including examples of the personification of May and night like a living being ("Mai craters", "Lick" Nights) with images, but endowed ("Sheet translucent") or unifying objects and metaphorical animation ("Stars / Heat and Krotko in the soul", "Birch are waiting", "they are trembling").

The image of the stars may be correlated with Lermontovsky "and the star with the star says" [Lermontov 1989, t. 1, p. 85]. However, in the poem of M. Yu. Lermontov, the conversation, the "Union" of the stars is opposed to a lonely, lost in the life of the lyrical hero, while Feta has the stars facing "I", "look" to him in the "soul".

The poem is written in a five-colored yamba with alternating female and male endings of poems. "In the lyrics, 5-stop jamb is a rival 6-stop in its last region - in Egypt and related topics" [Gasparov 1984, p. 167].

Fetovo poem - no elegy in its "pure" form; The destruction of the Genre of Elegy happened in the 1820-1830s. From Elegy persists (in a reduced, weakened form) a motive of reflection about life, philosophicity. The deritment of the thoughtful lyrical character by night time is also characteristic of many works of this genre.

The signs of Elegy resemble the hidden antithesis "Past - Present", the motive of alienation from life, revaluation of the past.

The metric diagram of the five-axis Yamba: 01/01/01/01/01 (in odd lines of the feta poem for the last - fifth - foot should be increasing in the form of an unstressed syllable).

In the Fetovo work, the intrasticular pause is sequentially used - the cesura, occupying the position after the second foot and the dividing string on the semi-configuration.

Thanks to the cesure, intonationally highlighted not only the appeals "What night!", "I thank you all!", "Thank you" (their allocation is dictated primarily by the syntax, and not by verse), but also the characteristic of the cold winter ("from the kingdom of ice", " from the kingdom of blizzard and snow "), Otradnaya will take May (" as fresh and clean "), stars (" Heat and Crotko "), spring air (" and in the air "); Attention is focused on the properties of the nightingale song ("dealt"), on the spring feelings ("anxiety and love"), on the birch ("Birchs are waiting for", "they cost").

Only in the last string of the cesura is shifted for one syllable: "involuntary // - and the last, maybe" instead of "involuntary - and // the latter, maybe" ("//" sign indicates the location of the cesura).

Pause before "and the last" creates the effect of difficult anticipation of the thought of death, but the inertia of the text, in which there were first cesura everywhere after the fourth, and not after the third syllable, it encourages (contrary to the syntax and punctuation sign - a dash) to pause after the Union and, before In the word last. In this case, the latter lexeme turns out to be intonationally especially allocated, painted.

Rhythmic poems is characterized by passing strokes on the metric strong positions of the first stop ("Bla GO /дARY "," He и/ trembling "," no, n и/кwhen "), second stop (" and in in о/зspirit "," е/нChivo "), third stop (" Your in ы/лET. а/еt "), fourth stop (" е/зD. о", "P е/сNew S. о/ Catch / Noah "," Paul у/ Prozor / Jen "" De / ve оsmart / in "," and b е/ Ste-le / Snya "), (" / "- the mark of the boundary of the stop, determined in accordance with the boundaries of phonetic syllables; underscore the unstressed vowels, which should have accents according to the metric scheme.) These rhythmic features in some cases undoubtedly, Significant: Thanksgiving, and denial "no, never", clearly noticeable epithets pronounced due to the pass of circuit strokes with some "acceleration": nightingale, translucent, newlywed, disembodied ).

One of the distinguishing features of the syntax is variation of the length of proposals that can either fit into the limits of the semi-width (two sentences in the first line: "What a night! On all which nonsense!"), Or borrow a string ("Thank you, my native impact edge!") , or a one and a half ("So the Virgin Newlywed / and Radyan and Alien of herd") or, finally, two ("from the kingdom of ice, from the kingdom of blizzard and snow / How fresh and clean yours will fly out May!", "And in the air for a song Nightingale / alarming and love "," Again, I am going with the involuntary song, / involuntary - and the last, maybe "). The poem opens with short exclamations (the author seems to not find words for delight and thanksgiving nights), which are replaced by an attempt to speak sense of gratitude, and unfolded narrative designs. The final extensive reflection conversion is opposed to short enthusiastic exclamations that opens the first storm. The syntactically, the last structure is opposed not only the first, but also the second and third. Three first stanzes are opening with short sentences engaged in semi-horsepie: "What night!" (twice) and "Birch are waiting."

In the third stubborn there is another short sentence, consisting only of the subject and faithful: "They are trembling", the syntactically identical proposal of "Birch is waiting". Using such a syntactic repetition, attention is attracted to the image of Bereza as a central in the poem.

The syntax of the poem is also characterized by repeats of words and / or grammatical structures: "From the kingdom of ice, from the kingdom of blizzard and snow", "with the involuntary song, / involuntary". Repeat strengthens and significance of the winter characteristics ('cold', 'in-tsaristi power'). And spontaneity, involuntary "involuntary" "song" of the poet.

Also draw attention also examples of the formulation of the fabricated to be subject to: "Mai craters", "anxiety and love" will be dealt with "(for Russian language, the opposite order is more accustomed). Through this reception, the speaker is emphasized, movement.

Even more expressive cases of setting the definition after the word determined, and not to him: "For the song of the nightingale", "Sheet of translucent", "Virgin Newlywed".

The placement of the definition after the defined word is a feature characteristic of the Church Slavonic language and inherited in the high-style Russian poetry of the XVIII century. Resorting to such a syntactic reception, Fet gives its poem a solemn, almost one sound.

In addition, these definitions - epithets due to the violation of the usual order of words acquired an additional impact, enhanced by their end position in strings and participation in the creation of rhymes.

and etc.).

T, R. и л Perform a partly and a sound-resistant function, as if imitating the troll of the nightingale and actually becoming its folded designation (anatram) in the string " РAssociate Tr. Evoga, I. лYubov. "

From the vowels allocated in the first stanza open sound а: He meets seven times and sounds in a strong (shock) position. In all other stanzas, frequency is much lower.

Sound аAs if it is associated with "opening", overlooking the will in spring and mare (and m аY is one of the keywords of the poem, final quadruples).

In subsequent stanza sound аApparently, partially loses its former importance, but remains dedicated in impact positions (especially in accented definitions Polyzr аSHENE, NOVODA аary , I also mean and repeated as ая.

Here is a sound scheme of the poem:

how аI'm a night! НA B. сI like ая нEga!

БлAgoda рYu, рone in LN full-time kr аth!

From C. ARST Vod ice, from C ARST wa view and with нEGA

how сVyzh and Chi. St T. howl you леTaket. May!

how ая нOk! IN се зve зdy up нOh

ТEP. лOh and K. ротko in soul сMO Tr. ятagain

And in the air for ne SN to her солOv иNoah

Раzn. осMean Tr. Evoga I. лYube.

B. резSay waiting. Them лиArt by лUP роV. AC. нOh

ЗаArt Jencio Ma. нит и тEshi. т взор.

They are Dr. OK. AT. . So the virgin нOWB R. чнOh

И R. before Art енAnd alien to her р.

НEt, нorkod A N. hedgehog нTo her and Be. Art елеSN to her

Is yours лIR, O. нtry нE who could ня тOmi тBL!

OP тB K. тEbey I am нEvol нOh пеSN to her,

НEvol нoh - and SL elf нShe, Mozhe тwould be T. .

"More May night" Athanasius Fet

What night! Over all the burden!

Thank you, my native impact edge!

From the kingdom of ice, from the kingdom of blizzard and snow

How fresh and clean yours departs May!

What night! All stars to one

 

Heat and krotko in the soul look again,

And in the air for the song of the nightingale

Alarm and love is dealt.

Birchs are waiting. Their sheet is translucent The author, as if waking up from a long hibernation, begins to notice the beauty of the surrounding world, emphasizing that "all the stars to one warm and krotko look at the soul again" Shyly manitis and techite gaze.

They are trembling. So the virgin newlywed And pleased with her joy. No, never gentle and disembodied

 

Your face, about the night, could not tomorrow!

Thank you, my native impact edge!

From the kingdom of ice, from the kingdom of blizzard and snow

How fresh and clean yours departs May!

Again to you I am going with the unwitting song,

Heat and krotko in the soul look again,

And in the air for the song of the nightingale

Alarm and love is dealt.

Unwashed - and the latter may be.

Shyly manitis and techite gaze.

They are trembling. So the virgin newlywed

And pleasedly and alien herd.

No, never gentle and disembodied

Your face, about the night, could not tomorrow!

Again to you I am going with the unwitting song,

Year of writing: 1857

Analysis of the poem feta "More May night ..."

It is no secret that the thin and deep lig of Athanasius Fet all his works wrote what is called, from nature. His poems are transformed feelings and images that he missed through his own soul. Therefore, it is not surprising that, at the base of almost every poem of the author, there are real events that the poet displays with the grace peculiar to it, leaving "behind the scenes" that, according to the poet, at the moment does not have much importance for him.

The poem "Maja Night" also has its own prehistory. It was written in 1857 almost immediately after Athanasius Fet married Maria Botkin. To his young spouse, the poet experienced sympathy and deep attachment, although it was aware that these feelings could be called with love only with a very large stretch. The poet's marriage was concluded for the calculation due to the desire to secure a decent life to which he was accustomed to from childhood. The thing is that Fet was adopted by a rather wealthy landowner Afanasy Sheenshin, but after his death was deprived of inheritance due to incorrectly decorated papers and forced to leave the generic estate to independently earn their lives. It was then that the poet was forced and change the last name - henceforth, he became Afanasius Fetom. Thus, having achieved Mary Botkin's hands, the poet, though he did not return the noble title, but could count on a completely comfortable existence due to an impressive dowry.

History of creation

The May night, which in his poem is so admired by the author, apparently, is the first in its by no means a happy family life. However, the poet Polon determined to forget his beloved Maria Lazich, from marriage to which he refused precisely because of financial considerations. Now, having gained an impressive fortune, Fet is counting on a serene and complete wealth of life, so everything is touched by everything - and the May night, and the rustle of young birch leaves outside the window, and the ceiling nightingale trills.

. The poet compares his young spouse with a slender birch, which "shyly manitis and techite gaze." Conducting a similar parallel, the author notes that "so the Virgin newlywed and joyful, and alien to herd."

Personal feelings and experiences at this night Athanasius Fet tries to hide carefully, believing that not love, and financial well-being is the key to a safe family life. Subsequently, the poet is aware of his mistake and will be cruel to pay for her until the end of his days, living with a woman who does not love. However, on the wedding day, the author is full of most rainbow hopes, although the first doubts are already told in his soul. He is much nice and more pleasant to admire the night sky and admire him with beauty than spending time with a young wife.

Therefore, the poet notes that "Your face, about the night, could not tomorrow!".

About how Fet actually belongs to his marriage, the last lines of the poem "still May night ...", in which the author is recognized: "Again, I am going with the involuntary song, involuntary - and the latter, maybe." The poet secretly regrets that he voluntarily deprived himself of freedom for the sake of financial well-being, the presentation that such a union would very soon become for him a burden. It does not mention about his first and only beloved Fet, but there can be a completely different woman between the lines of this romantic poem, it is a completely different woman that his chosen. And with this fact, as it turned out later, the poet could not come torture until his death.

What night! Over all the burden!

Composition

What night! All stars to one

Birch waiting. Their sheet is translucent

Unwashed - and the latter may be.

Summary

I. Kramskaya. Moonlight night. 1880.

Readers learn that the poet sincerely admire the spring night: he breathes her aromas, enjoys her sounds. Further reading surprises us with a large palette of emotions, tested by the lyrical hero. It is overflowing by the feelings of bliss and simultaneous anxiety. The main conflict is that the May night prevents not only an approval, but also gives rise to meditation about the frequency of life.

  • The poem saw the light and was printed in the Russian Bulletin magazine in 1857. It happened almost in parallel with Feta marriage to Maria Botkin. In the same year, the poem was published in the Russian Bulletin magazine.
  • Marriage ties The poet concluded on the calculation. Fet in the work describes one of the first May nights with a young wife. He was able to start a new page of life, gaining material independence. But to forget his first beloved Maria Lazich, who was dead in a fire, he failed. Fet wishes to gain the taste of life, but sadness of lost love is noticeable even in this enthusiastic poem.
  • Genre, Direction, Size
  • The work belongs to the genre of the "involuntary song". This is not just a strictly verified alternation of sizes and rhymes on a certain topic, but a spontaneous expression of delight and happiness. It, like the song of nightingale, breaks out of the poet's chest under the action of overwhelming feelings.

"The unwitting song" is always a poetic impulse, an outbreak of inspiration: she comes to a person by the will of the Universe, and not at his desire.

The poetic lines are written by a five-colored yamb. Rhymes are cross, male / female.

Composite solution is not particularly difficult. By semantic load, it is divided into two parts:

The first part is a solid monologue of the poet, with admiration describing everything he sees in the May night.

The second part is a direct story about the experiences of the poet.

The work includes four mosses, each of which is dedicated to a specific landscape element.

  • Images and symbols
  • The mood of the author is reflected in the shaped palette of his poem:
  • The image of the lyrical hero - he feels one part of the endless world, is inspired by nature on lyrical creativity: "What night! Over all of what is a bar! ";
  • The image of the beloved Hero - the poet's love torment is felt in the whole poem. Thoughts about Maria Lazich do not leave him;
  • The image of birches symbolizes Russia. The poet writes about them with great warmth, holding a parallel with a young beauty. Trees symbolizes spiritual purity;
  • The image of the "Virgin Newlywed" - under this manner should understand the young wife of the poet Maria Botkin. The poet writes: "... so the Virgin newlywed and sweet, and alien to her."

Topics and mood

The theme of the poem is the beauty of spring nature capable of inspiring a person. May night causes sublime emotions and feelings in the heart of the poet. He is enthusiastic day of day, expressing gratitude to his native land for such grace: "What a night! All stars up to one warm and crotko look into the soul again ... ". The poet believes that the freshness and purity of May were given to him "the kingdom of ice": "From the kingdom of ice, from the kingdom of blizzard and snow, as quantity and fresh, May!".

Main idea

This is a philosophical work. It expresses the idea of ​​the harmony of the world around the world, it is impossible to understand its forces of the human mind. The main idea of ​​the work is confirmed by the sound organization having an elevated - solemn intonation.

Means of expressiveness

Fet describes the atmosphere of May night pores through certain expressive means:

Metaphors - "disturbed anxiety and love", "The Kingdom of Ice";

| Views: 741 | Estimate:epithets - "involuntary" song, "alien and joyful" a joy, "shy", "Fresh and simple" May; Comparison - "trembling" sheets with "Virgin Newlywed"; Elimination - "Berbs waiting, trembling", "Sheet ... shyly manit", stars "see the soul";

Rhetorical exclamations - "What night! Over all of what is a bar! ";

Rhetorical appeal - "Your face, about night ..." Rhetorical appeal - "Your face, about night ..." There is a large number of women's words in the poem: such morphology helps when the emotional state of the lyrical hero is transmitted. There is a large number of women's words in the poem: such morphology helps when the emotional state of the lyrical hero is transmitted.

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